Charles Eames (American, 1907–1978), Ray Eames (American, 1912–1988). Prototype for Chaise Longue (La Chaise). 1948. Hard rubber foam, plastic, wood, and metal, 32 1/2 x 59 x 34 1/4″ (82.5 x 149.8 x 87 cm). The Museum of Modern Art, New York. Gift of the designers. Photo by Jonathan Muzikar © The Museum of Modern Art.



February 10 – May 27, 2019

Featuring objects from domestic furnishings and appliances to ceramics, glass, electronics, transport design, sporting goods, toys, and graphics, The Value of Good Design explores the democratizing potential of design, beginning with MoMA’s Good Design initiatives from the late 1930s through the 1950s, which championed well-designed, affordable contemporary products. The concept of Good Design also took hold well beyond the Museum, with governments on both sides of the Cold War divide embracing it as a vital tool of social and economic reconstruction and technological advancement in the years following World War II. The exhibition also raises questions about what Good Design might mean today, and whether values from mid-century can be translated and redefined for a 21st-century audience. Visitors are invited to judge for themselves by trying out a few “good design” classics still in production, and exploring how, through its design stores, MoMA continues to incubate new products and ideas in an international marketplace.

Organized by Juliet Kinchin, Curator, and Andrew Gardner, Curatorial Assistant, Department of Architecture and Design.

Greta Von Nessen (American, born Sweden. 1898–1978). Anywhere Lamp. 1951. Aluminum and enameled steel, 14 3/4 × 14 1/4″ (37.5 × 36.2 cm). Manufactured by Nessen Studio, Inc (New York, NY, est. 1927). The Museum of Modern Art, New York. Architecture and Design Purchase Fund.



AAQ Resource: Riverhead Toyota