| Katherine Bernhardt (b. 1975, St. Louis, MO) received her MFA from the School of Visual Arts in New York in 2000 and BFA from The School of the Art Institute of Chicago in 1998. Her recent solo exhibitions include Done with Xanax (2020), CANADA, New York, NY; Big in Japan (2019), NANZUKA, Tokyo, Japan; Garfield on Scotch Tape (2019), Xavier Hufkens, Brussels, Belgium; GOLD (2019), Art OMI, Ghent, NY; Watermelon World (2018), Mario Testino Museum, Lima, Peru; Focus: Katherine Bernhardt (2017), Modern Art Museum of Fort Worth, Texas; Green (2017), CANADA; and Concrete Jungle Jungle Love (2017), Lever House Art Collection, New York City. Bernhardt is well known for her series of paintings that depict various groupings of modern everyday objects painted as loose patterns in fields of bright color. Her other works have explored subjects of high fashion in paintings of supermodels and swatch watches, as well as paintings and collages of patterns inspired by Moroccan carpets and Dutch wax printing on African fabrics. Her work has been featured in the New York Times, Artnet News, The New Yorker, and The Creators Project, among others. Bernhardt’s work is included in public collections such as the Carnegie Museum of Art, Pittsburgh, PA; the High Museum, Atlanta, GA; the Hirshhorn Museum, Washington D.C; the Portland Museum of Art, Portland, ME; the San Antonio Museum of Art, TX; the Rubell Collection in Miami. She has exhibited with Tripoli Gallery since 2017. Bernhardt is based in St. Louis, MO.
Katherine Bradford (b. 1942, New York, NY) received a BA from Bryn Mawr College, Pennsylvania and an MFA from SUNY Purchase. Recent solo exhibitions in 2018 include Superman Returns With Swimmers at Galerie Haverkampf, Berlin, Germany, Friends and Strangers at CANADA, New York, NY and Magenta Nights at Adams and Ollman, Portland, OR. Bradford has exhibited at The Modern Art Museum Fort Worth, Texas; MoMA PS1, New York; the Brooklyn Museum, New York; the Portland Museum of Art, Maine; the Addison Gallery of American Art, Massachusetts; the Weatherspoon Gallery, North Carolina; and the University of the Arts, Philadelphia. In 2013, Bradford had a solo exhibition titled August at the Bowdoin College Museum of Art, Brunswick, Maine. In 2012 she received a Joan Mitchell Grant and in 2011 she was the recipient of a Guggenheim Fellowship. She has twice received an Award in Art from the American Academy of Arts and Letters in 2005 and 2011, and she was awarded the Pollock Krasner Foundation Grant in 2000. Her work is in the permanent collections of New York City’s Metropolitan Museum of Art, the Brooklyn Museum, and the New York Public Library; the Wooster Art Museum, Ohio; the Portland Museum of Art, Maine; the Portland Museum of Art, Oregon; Farnsworth Museum, Maine; Smith College Museum, Massachusetts; and Bryn Mawr College, Pennsylvania, among others. She first exhibited with Tripoli Gallery in the group exhibition, Summer Trip, in 2017, followed by the gallery’s group exhibition, Night, in 2018, and the 15th Annual Thanksgiving Collective in 2019. Bradford lives and works in New York and Maine.
Ann Craven (b. 1967, Boston, MA) received her MFA from Columbia University, New York and her BFA from the Massachusetts College of Art. Craven’s paintings utilize memory and repetition to illustrate nature in its duality of constancy and change. Her various series include paintings of moons, birds, and other animal subjects, as well as abstract paintings of stripes that replicate the colors in her unique palettes. Recent solo exhibitions in 2018 include Sunset Moon at KARMA, New York, and Snowbirds at Nina Johnson, Miami. Other major solo exhibitions include Animals 1999-2017, at Southard Reid, London (2017); Hello, Hello, Hello at Maccarone, NYC (2016); I like Blue at Gallery DIET, Miami (2015), Untitled (Palettes: Naked, Tagged), 2014-15, at Southard Reid Gallery, London (2015) and Ann Craven at Hannah Hoffman Gallery, Los Angeles (2014). Craven’s work has been exhibited internationally and reviewed in publications including The New York Times, Modern Painters, Art News, LA Times, Art in America, Artforum, Flash Art, The New Yorker, and Frieze, among others. Her paintings are in the public collections of the FRAC Champagne Ardenne in Reims, France; Henry Art Gallery, Faye G. Allen Center for the Visual Arts, Seattle, WA; MCA, Museum of Contemporary Art, Chicago, IL; MoMA, Museum of Modern Art, New York, NY; MoCA, Museum of Contemporary Art, Miami, FL; The New Museum of Contemporary Art, New York, NY; and The Whitney Museum of American Art, New York, NY. Craven lives and works in New York City.
Salvita Salim De Corte (b. 1990, Bali, Indonesia) is a Bali-born artist and grew up in a family deeply engaged with the arts. Her painting practice emerged as a personal response to the loss of her father, an artist whose studio, brushes, and unfinished materials she inherited after his passing. Since then, painting has become a space for reflection and emotional exploration, often depicted through portraits and figures. Drawing inspiration from people and encounters throughout her life, De Corte creates compositions that intertwine personal narrative with universal emotional experiences. She lives and works between Jakarta and Bali.
Sally Egbert (b. 1958, Bay Shore, NY) has been making paintings, drawings, and installations between NYC and the Hamptons for over three decades. Egbert studied at SUNY, New Paltz, and was the recipient of grants from the Pollock-Krasner Foundation, The Gottlieb Foundation, and The New York State Foundation for the Arts. Egbert’s work has been exhibited and collected internationally. Her work can be found in several permanent collections including the Tucson Museum of Art, Arizona, Progressive Insurance Collection, and the Colby College Museum of Art, Waterville ME, gift of the Alex Katz Foundation. Reviewing Egbert’s work in Art in America, Eileen Myles notes, “Sally Egbert’s oil paintings are as hypnotic as aquariums…(her) chief concern seems to be pinpointing distinctions to name the moment in color and space.” Glenn O’Brien, in a catalog essay, describes Egbert’s work: “These magical tableaux conjure dream states outside of experience and history, but they seem to evoke not what has happened, but what will happen–a balance of a state that we have experienced and one that we are moving toward with the attraction of sublime unknowns.”
Lola Montes (b. 1981, New York, NY) received a BFA from the Cooper Union in 2008. She grew up experimenting with painting and film and published a book with Artforum at the age of seven with her father. Montes’ work spans various media, including film, photography, printmaking, and painting, and can be found in various collections worldwide. It has been exhibited nationally and internationally, and shown in solo exhibitions at Ace Gallery in Los Angeles and The Hole in New York. Her work has been featured in many publications such as Interview, Purple Magazine, Vogue, and The New York Times. She has been exhibiting with Tripoli Gallery since 2009. Montes serves on the board of advisors at Anthology Film Archives and currently lives and works in New York.
Sabra Moon Elliot (b. 1980, New York, NY) received a Bachelor of Science in film from New York University and studied art history at Umbra Institute in Perugia, Italy. Growing up she explored different mediums of art such as painting and film and attended art classes at the National Academy of Design. Her work has been exhibited at the Tribeca Artists Underground in New York City and SK Designs in Louisville, KY. She has exhibited locally at Ille Arts in Amagansett, NY, as well as the Fireplace Project, and Studio 11, both in East Hampton, NY. She first exhibited with Tripoli Gallery in 2015. In 2018, she had a two-person exhibition with Mary Heilmann at the gallery titled WAVY. In 2019, she exhibited alongside Kurt Gumaer and Mary Heilmann in a Tripoli Gallery container at The September Art Show at The Bridge Golf Club, Bridgehampton, NY. Her work was included in the exhibition, Enter Through the Desert in Wainscott, 2022, and A Magical Day at Ditch!, curated by Katherine Beenhardt, 2023.
Sabra Moon Elliot is a multidisciplinary artist whose practice engages with the relationships between, structure, color, and larger cultural and social phenomenon. Her geometric forms subvert the traditional linear structure of the grid, clashing against one another to create fragmented quilt-like shapes. Working across sculpture, installation, paintings, and ceramics, she is inspired by the inherent structures, forms, and colors found in nature as well as outsider American quilt-making traditions that are left out of the canon. Her work attempts to bridge those gaps or at least ignite a dialogue around them by exploring notions of visibility. Always following her intuition, her process is driven by improvisation. At times she physically disrupts the rules she employs to make her work, deploying different strategies to interrupt the surface through various gestures from poking holes to deconstructing the material. (Ceysson Benetiere)
Naomi Samara (b. 1990, Bali, Indonesia) is an artist who focuses on storytelling through visual mediums. Interweaving ancestral narratives with memories from her childhood, she bridges a personal and collective experience. Her subjects move through spaces that evoke feelings of solitude, finding comfort and resilience within them. She has exhibited in solo exhibitions at Cavrala Virtual Space, Biasa Art Space, and Ruang Fungsi, and group exhibitions at Sun Contemporary and Tiktik Dua in Bali, and Ruci Gallery and Dia.Lo.Gue Artspace in Jakarta. She has exhibited with Tripoli Gallery since 2026 with her first show Holy Mary from August 8, 2026 to September 7, 2026.
Pat Steir (b. 1938, d. 2026, Newark, New Jersey) studied art and philosophy at Boston University and received her BFA from the Pratt Institute in 1962. For five decades, she has exhibited widely in American and European museums, including two major suites of monumental, rigorous Waterfall projects: Silent Secret Waterfalls for the Barnes Foundation in Philadelphia (2019) and Color Wheel for the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC (2019–2021). She is represented by LGDR in New York and Steir’s work has been included in hundreds of group shows and is held in the permanent collections of major museums worldwide including Fondation Cartier, Paris, Hirshhorn Museum and Sculpture Garden, Washington, D.C., Louvre, Paris, the Metropolitan Museum of Art, New York, and many others.
Mary Weatherford (b. 1963, Ojai, CA) received a BA in visual arts/art history from Princeton University and an MFA from the Milton Avery Graduate School of the Arts at Bard College. In between her bachelors and masters degree, she was a Helena Rubinstein Fellow in the independent study program of the Whitney Museum of Art. Some of her solo exhibitions include Mary Weatherford: From The Mountain to the Sea at Claremont McKenna College, I’ve Seen Gray Whales Go By at Gagosian West, and Like The Land Loves The Sea at David Kordansky Gallery in Los Angeles. She has shown art in group exhibitions at the Museum of Modern Art and The Rose Museum at Brandeis University.
Lucy Winton (b. 1956, Boston, MA) received an MFA from the New York Academy of Art and a BA from the University of California at Santa Cruz. Winton became immersed in drawing while studying at the Fashion Institute of Technology in New York City. Her work draws inspiration from children’s book illustrations and the romantic tradition, creating otherworldly scenes that blend figuration and abstraction in mediums such as drawing, painting and embroidery. She has exhibited in numerous solo and group exhibitions at the Parrish Art Museum, Watermill, NY; Center for Contemporary Printmaking, Norwalk, CT; Flag Art Foundation, New York, NY; and Southampton Arts Center, Southampton, NY. Winton has been featured in publications such as the New York Times and Bomb Magazine. Her work is in the permanent collection of the Guild Hall Museum in East Hampton, NY. She has exhibited with Tripoli Gallery since 2016 including a two-man show, Beasts and Clowns in 2021. Winton lives and works in Wainscott, NY.
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