Whitney Museum of American Art
wwwwwwwwwwwwwwwwwwwwwwwwwww
Rachel Rossin, still from The Maw Of, 2022. Web-based animation with augmented reality (AR). Commissioned by the Whitney Museum of American Art for its artport website and Kunst-Werke Berlin Institute for Contemporary Art AP.2022.1. © Rachel Rossin

EXHIBITIONS OF DIGITAL ART

EXPLORE TECHNOLOGY’S EFFECT ON IDENTITY

——————–

Explore cutting-edge digital art on view at the Whitney and custom-made commissions for whitney.org.Drawing from the Whitney’s leading collection of digital art, Refigured, now open in our free Lobby Gallery, features video, animation, sculpture, and augmented reality works by leading artists working in digital art. The five installations reflect on the porous boundaries between virtual and physical realms and how their interplay shapes our ideas of selfhood.

Online, dive into new commissions for artport, the Whitney’s portal to Internet art and a gallery space for net and new media art. Auriea Harvey debuts SITE1, an immersive digital project that takes viewers through three-dimensional space, excavating the universe that the artist is building from mythologies and personal stories. Meanwhile, check back on our website every day at sunrise and sunset in NYC for our latest Sunrise/Sunset series of Internet art projects. Amelia Winger-Bearskin’s Sky/World Death/World combines animations and poetic text, connecting sunrise and sunset to Indigenous creation myths.

And have you heard the big news? Our very own Deputy Director and Chief Curator, Scott Rothkopf, will be the Museum’s new director beginning November 1. Our beloved Director Adam Weinberg is stepping down this fall after an incredible twenty years leading the Whitney. Read more about the announcement in The New York Times.
BOOK TICKETS
BECOME A MEMBER
wwwwwwwwwwwwwwwwwwwwwwwwwww

NEW ON ARTPORT
Auriea Harvey, still from SITE1, 2023. Commissioned by the Whitney Museum of American Art for its artport website

AURIEA HARVEY
SITE1

Take a journey into an intricate three-dimensional universe. The virtual world of Auriea Harvey’s SITE1represents an archaeological dig into the “origin site” of the artist’s recurring characters—an excavation of the universe she is building from mythologies and personal stories.

ENTER PROJECT
Amelia Winger-Bearksin, still from Sky/World Death/World at sunset, 2022. Commissioned by the Whitney Museum of American Art

AMELIA WINGER-BEARSKIN
SKY/WORLD DEATH/WORLD

Amelia Winger-Bearskin’s Sky/World Death/World combines animations and poetic text connecting sunrise and sunset to Indigenous creation myths. Commissioned by the Whitney, this latest in our Sunrise/Sunset series of Internet art projects marks sunset and sunrise in New York City every day on whitney.org.

LEARN MORE
wwwwwwwwwwwwwwwwwwwwwwwwwww

ALSO ON VIEW
Every Ocean Hughes, still from One Big Bag, 2021. Single channel video; 40 min. Courtesy the artist

EVERY OCEAN HUGHES
ALIVE SIDE

Closes April 2
Floor 3

Using humor, intimacy, and direct address, Every Ocean Hughes’s current series of works—performances, video installations, and photographs—are connected by the artist’s interest in transitions, thresholds, kinship, legacy, and queer life.

LEARN MORE
Installation view of no existe un mundo poshuracán: Puerto Rican Art in the Wake of Hurricane Maria (Whitney Museum of American Art, New York, November 23, 2022–April 23, 2023). Miguel Luciano, Shields / Escudos, 2020. Collection of the artist; courtesy the artist. Photograph by Ryan Lowry

NO EXISTE UN MUNDO POSHURACÁN

Closes April 23
Floor 6

Exploring Hurricane Maria and its aftermath, no existe un mundo poshuracán offers a platform for contemporary Puerto Rican artists to reflect on economic, political, and ecological challenges over the past five years.

LEARN MORE
wwwwwwwwwwwwwwwwwwwwwwwwwww

COMING SOON
Jaune Quick-to-See Smith, War is Heck, 2002. Lithograph, photolithograph, and collage, sheet: 58 9/16 × 57 5/8 in. (148.7 × 146.4 cm). 1/10 | 4 TPs, BAT; Printed and published by P.R.I.N.T. Press. Whitney Museum of American Art, New York; gift of Dorothee Peiper-Riegraf and Hinrich Peiper 2006.287. Courtesy the artist and the Garth Greenan Gallery, New York

JAUNE QUICK-TO-SEE SMITH
MEMORY MAP

Opens April 19
Member Previews: April 13–17

This exhibition is the first New York retrospective of Jaune Quick-to-See Smith, an overdue but timely look at the work of a groundbreaking artist. Memory Map brings together nearly five decades of Smith’s drawings, prints, paintings, and sculptures in the largest and most comprehensive showing of her career to date.

LEARN MORE
Josh Kline, In Stock (Walmart Worker’s Arms), 2018 (detail). 3D-printed sculpture in acrylic-based photopolymer resin, Walmart shopping cart, custom cardboard boxes, 39 × 26 × 44 in. Courtesy 47 Canal, New York, and Modern Art, London. Photograph by Joerg Lohse

JOSH KLINE
PROJECT FOR A NEW AMERICAN CENTURY

Opens April 19
Member Previews: April 13–17

Josh Kline is one of the leading artists of his generation. Best known for creating immersive installations using video, sculpture, photography, and design, Kline questions how emergent technologies are changing human life in the twenty-first century. This presentation will be the first U.S. museum survey of the artist’s work.

LEARN MORE
wwwwwwwwwwwwwwwwwwwwwwwwwww

PLAN YOUR VISIT
Begin planning your trip, including everything you need to know to enjoy the Museum safely. We encourage all visitors to wear face coverings that cover the nose and mouth throughout their visit.
BOOK TICKETS
VISITOR POLICIES
wwwwwwwwwwwwwwwwwwwwwwwwwww 
Whitney Museum of American Art
99 Gansevoort Street New York, NY 10014
whitney.org

      
wwwwwwwwwwwwwwwwwwwwwwwwwww

Image Credits:Rachel Rossin, still from The Maw Of, 2022. Web-based animation with augmented reality (AR). Commissioned by the Whitney Museum of American Art for its artport website and Kunst-Werke Berlin Institute for Contemporary Art AP.2022.1. © Rachel Rossin

Auriea Harvey, still from SITE1, 2023. Commissioned by the Whitney Museum of American Art for its artport website

Amelia Winger-Bearksin, still from Sky/World Death/World at sunset, 2022. Commissioned by the Whitney Museum of American Art

Every Ocean Hughes, still from One Big Bag, 2021. Single channel video; 40 min. Courtesy the artist

Installation view of no existe un mundo poshuracán: Puerto Rican Art in the Wake of Hurricane Maria(Whitney Museum of American Art, New York, November 23, 2022–April 23, 2023). Miguel Luciano, Shields / Escudos, 2020. Collection of the artist; courtesy the artist. Photograph by Ryan Lowry

Jaune Quick-to-See Smith, War is Heck, 2002. Lithograph, photolithograph, and collage, sheet: 58 9/16 × 57 5/8 in. (148.7 × 146.4 cm). 1/10 | 4 TPs, BAT; Printed and published by P.R.I.N.T. Press. Whitney Museum of American Art, New York; gift of Dorothee Peiper-Riegraf and Hinrich Peiper 2006.287. Courtesy the artist and the Garth Greenan Gallery, New York

Josh Kline, In Stock (Walmart Worker’s Arms), 2018 (detail). 3D-printed sculpture in acrylic-based photopolymer resin, Walmart shopping cart, custom cardboard boxes, 39 × 26 × 44 in. Courtesy 47 Canal, New York, and Modern Art, London. Photograph by Joerg Lohse 

————————-

=================================================== 

AAQ Resource: Ben Krupinski Builder

__________________________________________________________________