Mortlake Terrace: Early Summer Morning

The Frick at Your Fingertips

It’s starting to feel like summer, so take a virtual vacation with the Frick by watching Travels with a Curator, or explore the Frick Art Reference Library from home with more than 20,000 free searchable online resources.

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Officer and Laughing Girl

Frick Five

Join Frick curators as they pose five questions to invited guests. Each episode, released every other Tuesday, features an entertaining and exciting exchange of viewpoints. Funny and thought-provoking—this is the Frick Five.

Watch as Curator Aimee Ng leads a lively and illuminating discussion with Charlotte Vignon, Director of the Musée National de Céramique de Sèvres.

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Harbor of Dieppe: Changement de Domicile

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Join fellow art enthusiasts online for a conversation on a single masterpiece. Frick educators lead these dialogues in real time, using video conferencing. Participation is encouraged.

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Cocktails with a Curator

The Frick is concocting the perfect mix of cocktails and art. Every Friday at 5:00 p.m., tune in to watch a curator (remotely) offer their insights on a work of art.

This week, Xavier F. Salomon, Peter Jay Sharp Chief Curator, is discussing Jean Barbet’s Angel, along with an Angel Face cocktail.

Catch up on past episodes anytime on our YouTube channel.

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Joseph Mallord William Turner (British, 1775–1851), Mortlake Terrace: Early Summer Morning, 1826. Oil on canvas (lined). 36 5/8 x 48 1/2 in. (93 x 123.2 cm). The Frick Collection, New York ▪ Johannes Vermeer (Dutch, 1632–1675), Officer and Laughing Girl (detail), ca. 1657. Oil on canvas (lined), 19 7/8 x 18 1/8 in. (50.5 x 46 cm). The Frick Collection, New York ▪ Joseph Mallord William Turner (British, 1775–1851), Harbor of Dieppe: Changement de Domicile (detail), exhibited 1825, but subsequently dated 1826. Oil on canvas, 68 3/8 x 88 3/4 in. (173.7 x 225.4 cm). The Frick Collection, New York ▪ Installation view of Jean [Jehan] Barbet (French, act. 1475–1514), Angel, 1475. Bronze, H.: 44 1/2 in. (113 cm). The Frick Collection, New York. Photo: Michael Bodycomb, 2009




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