Whitney Museum of American Art
GIF showing Hopper from Home coloring page and Edward Hopper, Early Sunday Morning, 1930.

HOPPER FROM HOME

Flex your creativity this summer and make your very own Edward Hopper artworks! We’ve assembled a quartet of coloring pages for you based on some of the artist’s most beloved works in the Whitney collection.

Whether you’re recreating Hopper’s Early Sunday Morning using his original color palette or experimenting with wild new combinations of color to flesh out a study of the fireplace and chair the artist saw every day in his studio, we’re excited to see what you come up with. Be sure to share your creations with us on social media by tagging @whitneymuseum and using #HopperFromHome.

DOWNLOAD THE COLORING PAGES

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UPCOMING ONLINE EVENTS

David Wojnarowicz, Untitled, 1990.

ART HISTORY FROM HOME

Thursday, July 16, at 12 pm
Tuesday, July 21, at 6 pm

This series of talks by the Whitney’s Joan Tisch Teaching Fellows highlights works in the Museum’s collection to illuminate critical topics in American art. Join us for upcoming talks exploring the ways modern artists have engaged with erotic imagery and the role of art in documenting and building queer communities.

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Adelita Husni-Bey, still from After the Finish Line, 2015.

WHITNEY SCREENS DOUBLE FEATURE

Friday, July 17, at 7 pm

This Friday, we’re presenting two films from our collection: Adelita Husni-Bey’s After the Finish Line, which probes athletes’ relationships to competition, success, and failure; followed by Maia Ruth Lee’s The Stranger, a deeply personal work that finds the artist exploring notions of identity, language, and subjectivity across two generations.

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Edward Hopper, (Artist's Studio), c. 1900.

SUMMER STUDIO

July 21, 22, 24, 25, at 11 am

Sharpen your pencils! In our next series of Summer Studio classes designed for kids, teens, and families, we’re taking inspiration from the drawings of Edward Hopper and teaching you the skills you need to create stunning landscape drawings.

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#WHITNEYFROMHOME ON INSTAGRAM

Joan Jonas, Vertical Roll, 1972.
We’re wishing Joan Jonas a happy 84th birthday today!⁣

⁣In her groundbreaking single-channel video work Vertical Roll (1972), Jonas disrupts the video’s electronic signal to create a “vertical roll,” a common problem on early television monitors. The roll disrupts our ordinary watching habits by obscuring our full view of the scene, reminding us that the flatness of the televisual image is an illusion.⁣

⁣Each “blink” offers a fleeting glimpse of a section of Jonas’s body as she performs in front of the camera—either garbed in a feather headdress, wearing a mask, in a belly dancer’s costume, or nude. By using the technology in this way, Jonas plays upon the female form, both inviting and repelling our gaze while mediating our access to the image of the woman onscreen. Jonas characterized this element of the work as “a poetic approach to . . . expressing my relationship to feminism, [involving] a search for whether or not there could be something such as female art, female imagery.”⁣

FOLLOW ALONG

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SUPPORT THE WHITNEY

Now, more than ever, we need your help to advocate for American art and artists and to present the riches of our collective cultural heritage. Please consider making a donation or becoming a member today.

MAKE A DONATION
BECOME A MEMBER
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Whitney Museum of American Art
99 Gansevoort Street New York, NY 10014
whitney.org

      

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AAQ / Resource: Lear + Mahoney Landscape Architecture

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