Images: Jenna Bascom for ICP

Now on View–Two New Exhibitions at ICP

This week, two new exhibitions are on view at ICP:

I’m So Happy You Are Here: Japanese Women Photographers from the 1950s to Now and

Laia Abril: On Rape and Institutional Failure.

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These two exhibitions look at histories that have long gone untold. Through expansive use of photography as a tool of both memorializing and reframing, they present a wide range of practices and subject matters, from personal reflections to socially and politically minded bodies of work.

Thank you to our community of members who helped us celebrate the opening of these exhibitions last week! Not a member?

Learn more about benefits and sign up today to be invited to exhibition openings, member days, and more.

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ICP’s School

Deadline Extended for ICP’s Online One-Year Certificate Programs

Image:Jeenah Moon

The application deadline for ICP’s online one-year certificate programs has been extedned to November 1. There’s still time to apply for Curatorial Practices in Photography, Writing and the Photographic Image, and Documentary Practice: Visual Storytelling. All three programs can be completed online from anywhere in the world, amongst a global cohort of students.

Plus, join us this weekend for an online symposium organized by current students in the Writing and Photographic Image program and Curatorial Practices in Photography program. Learn more on our website.

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Courses and Workshops

Photography I: The Camera with Darryl Terrell,

October 24–November 21, 2 PM–5 PM ET

Image: Darryl Terrell

Portraiture and Representation (Online) with Ace Lehner,

October 28–December 2, 6PM–8 PM ET

Image: Ace Lehner

Mining Your Photographic Archives: Building a New Body of Work (Online) with Kristin Holcomb,

October 23–December 18, 10 AM–1 PM ET

Image: Bryan Whitney

Photography as Sculpture: Cyanotype Printing on Paper, Textiles and Clay with Alina Patrick,

October 31–November 21, 2 PM–5 PM ET

Image: Ian Lewandowski

Upcoming Events

In Conversation and Reception—Melissa Ann Pinney: “What’s Ms. Pinney Doing Here?”

October 22, 6 PM–8 PM ET

Image: Melissa Ann Pinney

Concept Album: Photography in Writing and Curation (Online Symposium)

October 23 (1–5PM), October 24 (10:30 AM–5:30 PM)

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ICP Photobook Club: Japanese Women Photographers x Art+Feminism Wikipedia Edit-a-Thon, October 31,11 AM–1 PM ET

Image: Jutharat ‘Poupay’ Pinyodoonyachet

In ICP’s Shop

Yuki Tawada: Water Fire

Yuki Tawada is an artist who radically expands the possibilities of photographic expression by challenging the photograph as a physical object through processes such as scraping and burning.

Yuki Tawada: Water Fire is the first mid-career retrospective of Tawada’s work, bringing together, series by series, nearly twenty years of her practice, from her earliest works to her most recent projects.

International Center of Photography

84 Ludlow Street, New York, NY 10002

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I’m So Happy You Are Here: Japanese Women Photographers from the 1950s to Now is organized by Aperture in collaboration with Les Rencontres d’Arles, with support from the Ishibashi Foundation, the Anne Levy Charitable Trust and the 1970 Japan World’s Exposition Memorial Fund. Additional support for Aperture’s touring exhibitions provided by The Robert Mapplethorpe Foundation. Major support for ICP’s presentation is provided by FUJIFILM.

Generous support for I’m So Happy You Are Here: Japanese Women Photographers from the 1950s to Now and Laia Abril: On Rape and Institutional Failure is provided by Monika and Deven Parekh and the Women Moving Millions Art Catalyst Matching Fund, The Japan Foundation, and ICP Exhibitions Committee members.. Additional support for Laia Abril’s presentation is provided by the Murthy Nayak Foundation and the Institut Ramon Llull.

Exhibitions at ICP are supported, in part, by Michael Clinton, Caryl Englander, Renee Harbers Liddell, Almudena Legorreta, Jessica Nagle, Ken Nicholson, Jeffrey Rosen, the ICP Board of Trustees, the Blanchette Hooker Rockefeller Fund, and public funds from the New York City Department of Cultural Affairs in partnership with the City Council, and the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.