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AAQ / Resource: Ben Krupinski Builder

| 279 Montauk Highway Water Mill, NY 11976 631.283.2118 ———————————— |
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MUSEUM HOURS MUSEUM GROUNDS Copyright © 2026 Parrish Art Museum ——————————————————
Abstract Expressionism: The East End, 1940 to Today is made possible thanks to leadership support from Kenneth C. Griffin and Griffin Catalyst and the generous support of Sherri and Darren Cohen; Ellen Katz; the National Endowment for the Arts; Berry Campbell Gallery, New York; Evanne & Edward Gargiulo; Helen Frankenthaler Foundation; Amy and Steven Horowitz; Wolf Kahn Foundation; Lauren and Steven P. Schwartz; IFPDA Foundation; Suzi and David Cordish; and Fred Schmeltzer.
![]() Tony Bechara: An Artist of Many Worlds is made possible, in part, thanks to the generous support of the Estate of Tony Bechara; Steven Pesner in memory of his wife Michèle and his friend Tony Bechara; Lisson Gallery; Maria Eugenia Maury; Karla Harwich; Luis A. Miranda Jr.; Stanley Stairs and Leslie Powell; Dr. Mónica Ramírez-Montagut; Dr. Teresa Ramírez-Montagut and Annaliese Pew; Francisco ‘Frankie’ Bechara and family; and Warren James.FRESH PAINT: Emmi Whitehorse is made possible, in part, thanks to the generous support of The FLAG Art Foundation.FRESH PAINT: Chase Hall is made possible, in part, thanks to the generous support of The FLAG Art Foundation. ![]() The Parrish Art Museum’s programs are made possible, in part, by the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, and by the property taxpayers from the Southampton Union Free School District and the Tuckahoe Common School District. Additional support for education initiatives is provided by the Museum’s annual Spring Fling and Midsummer Gala benefit events.
Images: Elaine de Kooning (American, 1918–1989). Sunday Afternoon, Juarez, 1958, oil on Masonite, 36 x 48 in. Kenneth C. Griffin Collection. Tony Bechara Publication. Installation view of FRESH PAINT: Emmi Whitehorse at the Parrish Art Museum, Water Mill, NY (June 4–September 28, 2026). Photo: Jenny Gorman. Chase Hall (American, b. 1993). The Affrilachian Mountains, 2026, acrylic and coffee on cotton canvas, pitchfork, shovel, can, coffee canisters, tobacco pouch, and wire, canvas: 96 x 72 x 2 in., overall: 96 x 110 x 8 1/2 in. Courtesy of the artist and David Kordansky Gallery. Photography: Christopher Stach. Installation views of Robert Indiana’s ONE Through ZERO (The Ten Numbers). © The Robert Indiana Legacy Initiative/Artists Rights Society (ARS), NY; Lawrence Weiner’s UNTIL THE MOON COMES OVER THE MOUNTAIN. Collection of Glenn and Amanda Fuhrman, New York. Courtesy of The FLAG Art Foundation and the Lawrence Weiner Estate; Will Ryman’s Shanghai 6. Courtesy of Will Ryman and Hyphen, New York; Randi Renate’s Are we psychic coral-polyps?; and Mamoun Nukumanu’s Flower Nest, PEACE ON EARTH, and Emperor of Gladness. Photos: Jenny Gorman. —————————————
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![]() AAQ / Resource: Araiys Design Landscape Architects==============================================
![]() AAQ / Resource: 1708 House, Southampton | Bed & Breakfast___________________________________________________________
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