Parrish Art: Exhibits — A New Subjectivity | Audrey Flack | Derrick Adams + Community ….

Copyright © 2024 Parrish Art Museum
All rights reserved 

Julia Chiang: The Glows and The Blows is made possible, in part, thanks to the generous support of Sarah Arison; Michi Jigarjian; Wolf Kahn Foundation; Nicola Vassell Gallery; Miyoung Lee and Neil Simpkins; and Karen and Dennis Mehiel.

KAWS: TIME OFF is made possible, in part, thanks to the generous support of Bank of America; Dior; Skarstedt, New York; Lisa and Mitchell Green; and a donor who wishes to remain Anonymous.

A New Subjectivity 1979/2024 is made possible, in part, thanks to the generous support of Emmanuel Roman.

Audrey Flack: Mid-Century to Post-Pop Baroque is made possible thanks to the generous support of Hollis Taggart Gallery and Nina Yankowitz and Barry Holden.

Beyond Reality: Paintings and Drawings by Bertrand Meniel is made possible thanks to the generous support of the Louis K. Meisel Gallery.

Rafael Lozano-Hemmer: Collider is made possible, in part, thanks to the generous support of The Rosenkranz Foundation; Sandy and Stephen Perlbinder; Bloomberg Philanthropies; Mex-Am Cultural Foundation, Inc.; Katherine Farley and Jerry Speyer; and Alexandra Stanton and Sam Natapoff.
We are also grateful to Antimodular Studio for their in-kind support.

FRESH PAINT: Derrick Adams is made possible, in part, thanks to the generous support of The FLAG Art Foundation.

Support for films at the Parrish is provided by Suffolk County Office of Cultural Affairs; Support for Friday Nights is provided by The Corcoran Group.

The Parrish Art Museum’s programs are made possible, in part, by the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, and by the property taxpayers from the Southampton School District and the Tuckahoe Common School District.

The Parrish Art Museum’s educational programming is supported, in part, by the Institute of Museum and Library Services; Milford D. and Janice B. Gerton/Arts and Letters Foundation; Bobbie Braun/The Neuwirth Foundation; The Long Island Community Foundation; Dime Community Bank; The John J. McDonnell Margaret T. O’Brien Foundation; The Romenesa Foundation; May and Samuel Rudin Family Foundation; donors who wish to remain anonymous; and the property taxpayers from the Southampton School District and Tuckahoe Common School District. Additional support for education initiatives is provided by the Museum’s annual Spring Fling and Midsummer Party benefit events.

Image Credits: Fall Exhbitions (Top Left to Right, Bottom Left to Right): Jane Freilicher (American, 1924–2014). The Changing Scene, 1981, oil on canvas, 52 x 64 in. Parrish Art Museum, Water Mill, New York, Gift of Elizabeth Hazan and Stephen Hicks. 2023.9. Audrey Flack (American, 1931–2024). A Brush with Destiny, 2023, acrylic and mixed media on canvas, 40 x 40 in. Courtesy Hollis Taggart. Derrick Adams (American, b. 1970).  Getting the Bag, 2024, acrylic and fabric collage on wood panel in artist frame, 60 x 60 in. Courtesy the Artist. Bertrand Meniel (French, b. 1961). Breakfast at the Fairmont, 2009, acrylic on linen, 38 ½ x 71 ¼ in. Parrish Art Museum, Water Mill, New York, Gift of Louis K. and Susan P. Meisel, 2018.16.2. Rendering of Rafael Lozano-Hemmer’s (Canadian, b. Mexico, 1967) upcoming Museum façade installation. Courtesy Antimodular Studio.
Installation view of Julia Chiang: The Glows and The Blows at the Parrish Art Museum, Water Mill, NY (July 14–October 13, 2024). Photo: Jason Schmidt. Installation view of KAWS: TIME OFF at the Parrish Art Museum, Water Mill, NY (July 14–October 13, 2024). Photo: Jason Schmidt.
Film still from In the Summers.