Parrish Art: Exhibits — Work of Yankowitz / Howell / Sugimoto & Curator-Led Tours | Jazz ….

FRESH PAINT: Raven Halfmoon is made possible, in part, thanks to the generous support of The FLAG Art Foundation.

Endless Limits: The Work of James Howell, 1962–2014 is made possible, in part, thanks to the generous support of the James Howell Foundation and the Helen Frankenthaler Foundation.

Time Exposed: Hiroshi Sugimoto’s Seascapes is made possible, in part, thanks to the generous support of the Helen Frankenthaler Foundation and the Japan Foundation, New York.

FRESH PAINT: Rudolf Stingel is made possible, in part, thanks to the generous support of The FLAG Art Foundation.

The presentation of Nina Yankowitz: In the Out/Out the In at the Parrish Art Museum is made possible thanks to the generous support of Eric Firestone Gallery; Helen Frankenthaler Foundation; Sherri and Darren Cohen; County of Suffolk; Sandy and Stephen Perlbinder; Wolf Kahn Foundation; Jane Wesman and Donald Savelson; The Evelyn Toll Family Foundation; and René and Marie-France Kern.The Parrish Art Museum’s programs are made possible, in part, by the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, and by the property taxpayers from the Southampton School District and the Tuckahoe Common School District.The Parrish Art Museum’s educational programming is supported, in part, by the Institute of Museum and Library Services; Milford D. and Janice B. Gerton/Arts and Letters Foundation; Stephen Gregory Lioce; The New York Community Trust; The John J. McDonnell Margaret T. O’Brien Foundation; The Romenesa Foundation; Dime Community Bank; donors who wish to remain Anonymous; and the property taxpayers from the Southampton School District and Tuckahoe Common School District. Additional support for education initiatives is provided by the Museum’s annual Spring Fling and Midsummer Gala benefit events.

Image Credits: October at the Parrish. Courtesy of Parrish Art Museum. Nina Yankowitz (American, b. 1946). Oh Say Can You See – A Draped Sound Painting, 1967-68, latex paint on cotton duck, audio by Phil Harmonic a.k.a. Ken Werner – to be played on floor speaker, 48 x 120 x 6 in. Courtesy of Artist. Rudolf Stingel, Untitled, 2001. Installation view, Une Seconde d’Eternité, Bourse de Commerce – Pinault Collection, Paris, 2022. Photo by Stefan Altenburger, Courtesy the artist and Bourse De Commerce – Pinault Collection, Paris. Students working with Studio Lenca. Photo: Jessica Dalene. Visitors at the Parrish Art Museum. Photo: Lisa Tamburini. Parrish Art Museum. Photo: Jessica Dalene. Installation view of Endless Limits: The Work of James Howell, 1962–2014 at the Parrish Art Museum, Water Mill, NY (September 13, 2025–February 8, 2026). Photo: © Gary Mamay.