2024 Parrish Road Show | Andrea Cote: To Belong to The World is made possible, in part, thanks to the generous support of Jane Wesman and Donald Savelson. Public funding provided by Suffolk County.
Rafael Lozano-Hemmer: Collider is made possible, in part, thanks to the generous support of The Rosenkranz Foundation, Sandy and Stephen Perlbinder; Bloomberg Philanthropies; Mex-Am Cultural Foundation, Inc.; Katherine Farley and Jerry Speyer; and Alexandra Stanton and Sam Natapoff. We are also grateful to Antimodular Studio for their in-kind support.
A New Subjectivity 1979/2024 is made possible, in part, thanks to the generous support of Emmanuel Roman.
Audrey Flack: Mid-Century to Post-Pop Baroque is made possible thanks to the generous support of Hollis Taggart Gallery.
Support for films at the Parrish is provided by Suffolk County Office of Cultural Affairs.
Friday Nights are made possible, in part, by The Corcoran Group.
The Parrish Art Museum’s programs are made possible, in part, by the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, and by the property taxpayers from the Southampton School District and the Tuckahoe Common School District.
The Parrish Art Museum’s educational programming is supported, in part, by the Institute of Museum and Library Services; Milford D. and Janice B. Gerton/Arts and Letters Foundation; Bobbie Braun/The Neuwirth Foundation; The Long Island Community Foundation; Dime Community Bank; The John J. McDonnell Margaret T. O’Brien Foundation; The Romenesa Foundation; May and Samuel Rudin Family Foundation; donors who wish to remain anonymous; and the property taxpayers from the Southampton School District and Tuckahoe Common School District. Additional support for education initiatives is provided by the Museum’s annual Spring Fling and Midsummer Party benefit events.
Image Credits: Andrea Cote (American, b.1970). Whorl, 2024, cyanotype on cotton sheet, 28 x 30 in. Courtesy the Artist.
Cover of Mothers of Invention: The Feminist Roots of Contemporary Art. Top Left: Marina Abramović, Rhythm 0, 1974. Top Right: Lenore Tawney in her studio, 1958. Bottom Left: Pat Steir in the studio. Bottom Right: Mierle Ukeles, Washing / Tracks / Maintenance: Outside, 1973. Film still from The Batwoman / La Mujer Murciélago. Derrick Adams (American, b. 1970), America the Beautiful, 2024, acrylic and fabric collage on wood panel in artist’s frame, 60 x 60 in. Courtesy the Artist. Rendering of Rafael Lozano-Hemmer’s (Canadian, b. Mexico, 1967) upcoming Museum façade installation. Courtesy Antimodular Studio.
Fall Exhibitions (Top Left to Right, Bottom): Jane Freilicher (American, 1924–2014). The Changing Scene, 1981, oil on canvas, 52 x 64 in. Parrish Art Museum, Water Mill, New York, Gift of Elizabeth Hazan and Stephen Hicks. 2023.9. Audrey Flack (American, 1931–2024). A Brush with Destiny, 2023, acrylic and mixed media on canvas, 40 x 40 in. Courtesy Hollis Taggart. Bertrand Meniel (French, b. 1961). Breakfast at the Fairmont, 2009, acrylic on linen, 38 ½ x 71 ¼ in. Parrish Art Museum, Water Mill, New York, Gift of Louis K. and Susan P. Meisel, 2018.16.2.
