Art & Architecture Quarterly / East End

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DESIGN ELEMENTS

Architects / Designers / Builders / Engineers / Crafts People / Artists 

Submit One or Two Illustrations / Photos / Renderings /

Sketches of Created or Proposed Projects

AAQ / East End will post two views at no charge w/ contact info caption.

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Table / Chair / Bench / Birdhouse, Bath / Weathervane / Gate, Fencing / Fountain / Sculpture /

Architectural Painting / Carving / Architectural Model / Shed / Water Feature / Follie / Latticework …

Contact info, Caption (200 word limit).

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Contents

ELEMENTS PLACED IN ORDER POSTED

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Norman Jaffe, Vietnam Memorial Competition Model, 1984 / Posted 2.13.25 

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Norman Jaffe, Horse Racing Mural / Turetsky House, 1977 / Posted 2.14.25

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Norman Jaffe, Gates of the Grove, Column / Seat Design Model / Posted 3.3.25

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Norman Jaffe, Gates of the Grove / Bimah Models / Posted 3.3.25 

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Thomas Moran, Weathervane

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Jeff Heatley, World Trade Center Memorial Competition design, 2004

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“Agony & Ecstasy”

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Jaffe’s inscription

“For those who served….Vietnam, August 5, 1964 – May 7, 1975

Plaza, Jeannette Park, NYC

Model of Vietnam Memorial Competition Submission, 1984

Photographed in NYC & at The Studio © Jeff Heatley.

30 x 40 inch b&w enlargement of NYC site background,

with studio-lit Memorial Model foreground.

Photographed at Norman Jaffe’s Studio, Bridgehampton, 1984.

The agony & ecstasy,” Norman Jaffe commented.

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Norman Jaffe Mural / Turetsky House, Old Westbury / 1977. Scouting photograph, 2009. 

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Visit: Le Corbusier & Associates @ Chandigarh & Ahmedabad, India …. link


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First model design (above) and the final ‘saw tooth’ joint (below),
which was based on a suggestion
of Randall Rosenthal, following multiple design ideas.

Visit: Norman Jaffe — Gates of the Grove Synagogue, EH / Portfolio Re-framed …. link

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Norman Jaffe: Bimah model for Gates of the Grove, East Hampton 

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Weathervane / Thomas Moran / Moran Studio, East Hampton

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Design for World Trade Center Memorial Competition, April 28 – January 14, 2004

The supports hold a globe artifact from the 9/11 attack with an eternal light visible through the ‘scars’ consequent of the attack.  The fountain was further designed, and submitted as a spiral-brook-waterfall fountain, with rocks from each nation that suffered losses on September 11th. The lowest ring of the circular fountain would be a waterfall, three feet above grade, creating a constant sound of falling water.

The lower walls consist of glass bricks, providing a quiet sanctuary for reflection. The 150-foot twin towers hollow inside and only illuminated by skylights in the roof of each tower and windows placed randomly in the towers. Exhibit space & portrait gallery. 

The competition guidelines called for a memorial below street level, where the foundations had been. This design proposal includes a viewing platform at street level, with stairs to the landscaped memorial site below.  

Memorial design proposal submitted by Jeff Heatley in May, 2004. There were 5,200 design submissions — the largest number of entries for any design competition in history.